CASE STUDY / 05

Brand Experiences

High-end print, digital, and environmental design that carries established brands across events and campaigns.

BRAND & EXPERIENTIAL DESIGN

quickbooks connect identity
meta event signage
dokainish welcome paddle
from event illustration
from event menu
first national welcome sign
A flexible visual language moves from stage and signage to print and digital touchpoints.
ROLE
Visual & Graphic designer, via Yellow House Events, The Goods BMC and New Wonder
SCOPE
Print, digital, environmental, social
FOCUS
Brand consistency, scale, production

01 / CONTEXT

The brand already exists. 
The challenge is making it 
work everywhere.

Most projects begin with an established identity, campaign, or set of brand standards. My role is to understand that visual language quickly and extend it across whatever the project requires, from print and social content to signage, environmental graphics, and large-format installations, while keeping every execution recognizably on-brand.

DESIGN PRINCIPLE

Brand stewardship, not reinvention.

The goal is to preserve what makes a brand recognizable while adapting it intelligently to new formats, environments, and content.

INSTAGRAM FOR BUSINESS printed event collateral

INSTAGRAM FOR BUSINESS

A printed event menu that brings Instagram’s Stories interface into the room, connecting campaign imagery and familiar digital interactions with a physical brand experience.

LINKEDIN printed event collateral

LINKEDIN

Event wayfinding that extends LinkedIn’s campaign colours and graphic shapes into the venue, using bold arrows and clear typography to help guests navigate.

FIRST NATIONAL printed event collateral

FIRST NATIONAL

A bilingual drinks menu that carries First National’s identity into event collateral, balancing English and French content through consistent typography and a clear reading hierarchy.

02 / BRAND APPLICATION

One visual language, many different formats.

Large-format graphics establish the visual system across entrances, elevators, walls, wayfinding, and branded environments.

01

Environmental

Window graphics, furniture decals, elevator wraps, stage graphics

02

Print

Menus, signage, programs, ads, handouts

03

Wayfinding

Welcome boards, directional signage, identification

04

Digital

Social assets, screens, campaign graphics, event content

03 / PHYSICAL SPACE

Designed for the room, not just the artboard.

Large-format work has to account for scale, sightlines, architecture, seams, materials, viewing distance, and how people actually move through a venue. I design environmental graphics with the installed space in mind so the brand remains clear and intentional once the artwork leaves the screen.

instagram see more installation
ontario teachers campaign
amazon alexa popup
vipre trade show booth
vipre platform graphic

Selected environmental graphics, from Instagram door wraps and Ontario Teachers’ window panels to Amazon Alexa event walls and VIPRE exhibition displays, adapting each brand to its physical setting.

05 / DIGITAL + SOCIAL

06 / PRODUCTION + OUTCOME

Good visual design has to survive production.

Good visual design has to survive production. Files need to account for dimensions, bleed, resolution, panel breaks, unusual surfaces, platform requirements, and different output methods. Working across both digital and physical formats means carrying the visual intent all the way from the initial layout to the final installed, printed, or published piece.

01

Large format

Built for real dimensions and viewing distances.

02

Print ready

Bleed, safe areas, resolution, and output considered from the start.

03

Multi-format

Systems adapted across environmental, print, and digital assets.

04

Brand consistent

Existing standards preserved across every application.

PROJECT CONTEXT

Selected work completed through Yellow House Events, The Goods BMC and New Wonder. Brand identities remain the property of their respective organizations.

CHRIS TRAVAGLINI / CASE STUDY 05